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From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves.
PDF) Hollywood Remaking as Second-Order Serialization
Shane Denson (Stanford University) & Kathleen Loock (FU Berlin
PDF) Hollywood Remaking as Second-Order Serialization
Out of the Past
PDF) Film remakes in the context of European cinema : an
Hollywood Remaking: How Film Remakes, Sequels, and Franchises
Eduard Cuelenaere (@deduard) / X
Cinema titles from University of California Press
Introduction: Remake, Remodel
News – English Department – Leibniz University Hannover
Kathleen Loock (@kalliloo) / X